Berkeley Headlines

Lots of Music with Celebrity Drop-ins at The Back Room in Berkeley

Local legend, songwriter, singer and guitarist Boz Scaggs dropped in to hear Faye Carol last Sunday. Who will it be this weekend?

Fri., Mar. 3  –  Maivish. Grounded in traditional folk music, Maivish reveals the migration of traditional folk music, from the Old Country to the New World. Their performances are infused with distinct vocal harmonies and a captivating spirit, featuring Jaige Trudel on fiddle, Adam Broome on guitar and Matthew Olwell on percussion, flutes and percussive dance! According to the Back Room owner Sam Rudin, “It’s British and American folk music in three dimensions!”

Sat., Mar. 4  –   Kyle Alden, singer/songwriter, is joined by a trio of mandolin, pedal steel and bass, and will express his multi-instrumental virtuosity on poetic, award-winning songs with rich vocal harmonies.

Maya Dorn

Sun., Mar. 5   –   1:30pm  Singer/guitarist Maya Dorn opens up, playing international songs and rhythms followed by Blackbird and the Storm – a birdsong-inspired project, in collaboration with the Audubon Society, which incorporates the elements of nature, using field recordings along with music and vocals.

5:00pm  –   the Dynamic Miss Faye Carol will be starting her 9th week in residence at The Back Room. Boz Scaggs attended last Sunday joining all the fans who think Faye Carol is the greatest entertaining, jazz and blues singer performing today.  Joe Warner accompanying her on piano.


Tickets are are available in advance online, or at the door the day of the show. Doors open one half hour before show time. We accept cash only at the door (ATMs are nearby). The Back Room is an all-ages, BYOB (for those 21+) space, dedicated to (mostly) acoustic music of all kinds. You are welcome to bring your own adult beverage with no additional corkage fee. More info.: 510-654-3808.

the back room is located at 1984 Bonita Ave. in Berkeley

More music and events around the Bay

By |2017-03-03T13:39:40-08:00March 3rd, 2017|Tags: , , , , |0 Comments

New Coffee, Songwriters & Grateful Dead Night Ignite Berkeley

Grand Opening @ 1951 Coffee Company8978b081-8341-49fe-95fc-2c81c17f06ca
Fri., Feb. 3, 4pm-5pm

Join local officials and the community as they welcome 1951 Coffee Company to the Telegraph district!

1951 Coffee is a new Berkeley nonprofit that supports recently arrived refugees through job training and employment opportunities in the coffee industry.

Your patronage at 1951 will directly help create a welcoming community for refugees while you enjoyone of the best new cups of coffee in town. Cafe hours: Mon. – Fri. 7am-7pm; Sat. & Sun. 8am-7pm.

1951 Coffee Company, 2410 Channing Way in Berkeley
between Telegraph Avenue and Dana Street

Stu Allen’s Grateful Dead Night @ Ashkenaz

Fri. Feb. 3, 9pm

A tradition started back in the 20th century, Ashkenaz’s Grateful

Stu Allen Photo/ashkenaz.com

Stu Allen Photo/ashkenaz.com

Dead Night is always evolving and reaching new heights since Stu Allen & Mars Hotel launched a weekly residency in late 2011. Led by acclaimed guitarist-singer Allen (of Phil Lesh & Friends, Melvin Seals & JGB, Ghosts of Electricity), a revolving cast of incredibly talented musicians inhabits Mars Hotel, drawing from the Grateful Dead’s vast catalog to delight Deadheads and dancers of all generations. A Mars Hotel show is always an energetic evening of good vibes, good music, and good community.

When it became apparent that Jerry Garcia had played his final show in 1995, Stu Allen began working to keep Garcia’s music, sound, and spirit alive in the concert setting. He regularly works with Phil Lesh and has also played sets with Bob Weir and Bill Kreutzmann.

Mars Hotel takes this idea a step further by presenting a new band at each performance. Drawing from the rich music scene of the Bay Area, Allen has assembled a broad and ever-rotating group of musicians that makes each concert a once-only experience.

Tickets: $16-18 Advance tickets

Ashkenaz 1317 San Pablo Ave., Berkeley

Peter Case @ the backroom

Sat., Feb. 4, 8pm

Peter Case will return to The Back Room with his special guest Bob Hillman. Both are superior singer/songwriters. According to the backroom, Peter is earthy, bluesy, passionate and Bob is cool and cerebral, with a dry wit. Also one of them is a famous rock star who once fronted the Plimsouls and the Nerves.

-1Peter Case is an artist whose eclectic body of work embraces rock & roll, contemporary folk, blues, and a number of points in between. As a songwriter, Case is a master storyteller with a special understanding of underdogs and lost souls.

On his most recent release, Peter put his focus back on acoustic music for his album, HWY 62, which features guitar work from Ben Harper.

After over a decade away from the stage and studio, Bob Hillman returns with the full-length album Lost Soul. With his longtime musical mentor ex-Plimsoul Peter Case at the helm, the San Francisco-based singer/songwriter taps back into literate, tuneful songwriting that defined his earlier material and embraces a contemporary sonic landscape. The result is a less crafted, more visceral album.

The Backroom, 1984 Bonita Ave in Downtown Berkeley

About the backroom

The Backroom books all acoustically-based genres, including Jazz, Blues, Folk, Bluegrass, Americana and more. It’s an intimate, comfortable venue with no food or drink other than water or soft drinks. Adults can BYOB. Local musician Sam Rudin wants to keep the music venue small and comfy with a Steinway grand piano on stage and thrift shop overstuffed chairs below. Tickets are $20 and may be purchased in advance or you may buy at the door the day of the show with no service fee.

The Backroom in Berkeley Presents Jazz Singer Faye Carol Every Sunday!

Just in from the Back RoomThey are experimenting with Faye Carol performing every Sunday at 5pm. Join them to listen to one of the finest jazz singers who is a great entertainer with warmth and a voice you can’t help but fall in love with.

Faye Carol is one of the premier vocalists of her time. Her unique style and gift of connecting with her audience is astonishing. This Bay Area living legend is a recipient of countless awards and honors including:

  • 2014 Bay Area Jazz Hero Award,
  • 2016 City of Berkeley Lifetime Achievement Award,
  • 2015 induction into the Oakland Blues Walk of Fame, and
  • four Cabaret Gold Awards.

After beginning her career with gospel music, Ms. Carol was an integral part of Oakland’s innovative funk scene in the 1960s and later went on to form her own trio. She soon built a reputation as a daringly versatile and consistently creative vocal stylist arranging standards and popular songs in her own unique way.

She has shared the stage with legendary artists such as Albert King, Marvin Gaye, Ray Charles, Billy Higgins, Charles Brown, Bobby Hutchinson and Pharaoh Sanders. Now established as a world-class artist at the top of her craft, she continues to dazzle and delight audiences at home and beyond. She will be accompanied by Joe Warner on piano.

“Faye Carol is one of the greatest singers on the planet…There is nobody singing the blues and jazz like she is.” – Charles Brown

(courtesy of The Backroom music event calendar54c5fa2c-21ab-4b82-92f9-07e5a6a22cd8

The Backroom – 1984 Bonita Ave in Downtown Berkeley – books all acoustically-based genres, including Jazz, Blues, Folk, Bluegrass, Americana and more. It’s an intimate, comfortable venue with no food or drink other than water or soft drinks. Adults can BYOB. Local musician Sam Rudin wants to keep the music venue small and comfy with a Steinway grand piano on stage and thrift shop overstuffed chairs below.

Tickets are $20 and may be purchased in advance or you may buy at the door the day of the show with no service fee. Doors open at 4pm.

By |2017-01-13T17:17:26-08:00January 13th, 2017|Tags: , , , |0 Comments

Playing for the Birds on the Dock of the Bay — Jeff Tauber, Saxman

Meet Jeff Tauber. We caught up with the windblown saxophonist on the rocky shore of the Berkeley Marina where he was playing for birds (mostly seagulls, he jokes), kiteboarders and sailors. He’s been playing for this esteemed marina audience for years. We first heard Tauber play at Birdland Jazz in Oakland where he performed a 3-hour-one-man-show chronicling classic Jazz of the last few decades. He plays a sort of bluesy, cool, often very danceable Jazz.

Tauber recounts that he finished law school and passed the BAR in the early 70s and then toured Africa and Asia for a year and a half. “It gave me a focus. One thing I wanted to do was to learn to play music.” And he did. His musical influences to this day have African and Blues roots.

At first he started playing guitar. “And then I had this epiphany,” he recalls. “I was in San Andrés- an island off of Nicaragua – and had a harmonica with me and it started to play itself.” He said he first started playing music he remembered from his childhood – like the choral movement from Beethoven’s Ninth Symphony. He improved slowly and started to play semi-seriously around the Bay area. While driving to work as a public defender, he shifted with one hand and played harmonica with the other.

At Berkeley Square he played with Lee Harris’ quartet with Lee on piano, English Pepper on Bass, Kenny Herera on Tenor Sax and Teddy Winston on drums. The group played 40s and 50s Blues & Swing.   “They’d get up to six or seven horns on stage and I’d be jamming with them. Kenny, who played sax, one day said to me, ‘Jeff, why don’t you get rid of that toy and get yourself a real horn.’” So Tauber went down to the Marc Silber’s Music Store on Shattuck Ave. and bought an alto sax. And that’s how it began. “The best way to learn to play is to play. So I started playing the horn.”

He had the fortune to find a great studio on a creek near Claremont Ave. No one bothered him. He says he moved from alto to tenor sax pretty quickly. He was working for himself as an attorney then, trying cases and he said he needed the horn. “Being responsible for someone’s life was heavy and the horn was a way to escape it.”

The Blues scene was happening in the East Bay in the 80s with a dozen or so clubs dedicated to the Blues. “It was very open – that community – they let you play. These are folks whose family and friends really showed me a lot of love, tolerance and respect.”

Jeff Tauber on San Francisco Bay

Jeff Tauber on San Francisco Bay, Aug., 2016 – Photo/James Lerager

And that’s when he met Ronnie Stewart, Founder of the West Coast Blues Society and leader of the West Coast Blues Band. He has played with Ronnie over the last 30 years. Haskel Cool Papa Sadler was their mentor in the beginning. These were the days when Mark Hummel was belting blues harmonica at Larry Blake’s in Berkeley, Johnny Nitro was jamming all over SF and JJ Malone and Troyce Keys were Kings of the Blues at Eli’s Mile High Club in Oakland.

“Popular then was the Deluxe Inn on Union St. in West Oakland. It was the real thing–Sonny Rhodes started playing at midnight and played until 6am. (Rhodes still plays at Biscuit & Blues in SF.) That’s where Jeff really learned about the Blues. “In West Oakland Slim Jenkins and a host of other Blues venues had been the center of the Bay Area Blues scene, but they were all destroyed when they built the Post Office.” That was the beginning of the decline of the East Bay Blues scene. Ever since then, Ronnie Stewart and the West Coast Blues Society have been striving to honor Oakland’s Blues roots and bring Blues back to West Oakland, starting with the Blues Walk of Fame.

In the mid 80s Tauber started to play African Music. In 1985 Tauber was recruited to play with a band called Hedzoleh Soundz, a major West African Band, then touring the US with Hugh Masakellah. “I moved from Blues to African and World Beat music and ended up also managing the band.” He played locally and would also drive down to Santa Cruz or up to Mendocino to play for African music starved fans. “Being in that community – the people were living by a different standard where they might make $20-30/night playing music – was a very important experience for me. It gave me a door or window into a different life.”

For the past twenty-five years Jeff has been a Criminal Courts Trial Judge, when not in Washington DC or traveling around the nation and the world as founding president and President Emeritus of  National Association of Drug Court Professionals (NADCP).  His great passion has been the  development of Community-Based court rehabilitation systems.

More recently, Jeff has been devoting his musical talents to recreating a unique jazz sound. “For the last year I have been playing with a Hammond organ player, Craig Browning, who is a marvel (and sometimes with a drummer). We play two to three gigs a month. We try to play the Great American Song Book, the soulful spirit of the original jazz interpreters, using soft melodic and lyrical arrangements, rather than more modern technical approaches.”

Even so, modern technology and multimedia have had a positive influence on him. Tauber says he can easily learn new songs with the iReal Pro app, which provides Jazz tunes that you can set the rhythm, key and style. “I can learn much more when I hear the chords.”

At a recent gig, Jeff Tauber packed the house with his one-man show, For the Birds at Birdland Jazzista Social Club in Oakland. About one hundred people listened and danced to jazz favorites from the last few decades over the course of a three-hour show. Tauber played tenor sax over his pre-recorded app– a last minute solution to his piano man’s cancellation. He introduced the tunes, ranging from the 1920’s to today, sharing some history of each song with his usual warmth and humor.

Behind him, projected on a screen, flew photos of the birds he plays to almost daily when he practices at the Berkeley or Richmond marinas. He told the crowd “…they seem to like it.” The birds like it and so did we.

If you like Blues, Jazz, Funk, or R&B, check out Tauber’s list of clubs along the east shore of the San Francisco Bay or find his gigs on Facebook.

You can also catch him playing at BIRDLAND JAZZISTA SOCIAL CLUB (4318 Martin Luther King Way in Oakland), on Sat., Oct. 15,  from 8 to 11pm or to the birds on the Bay in Berkeley or Richmond.

By |2016-10-07T13:48:02-07:00October 6th, 2016|0 Comments

Shakespeare in the Park. John Hinkel Park

Saturdays and Sunday2016_12th_Night_edited-1s from Aug. 20 – Sept. 5, Actors Ensemble of Berkeley (AE) will present Twelfth Night adapted from William Shakespeare and directed by Michael R. Cohen. Productions will take place in John Hinkel Park, nestled in a beautiful hillside oak grove, at 4pm. An extra and their last production will take place on Mon., Sept. 5 at 4pm. Admission is free.

Love unrequited and requited, twins, mistaken identity and hilarious pranks are set to an acoustic rock score in Actors Ensemble of Berkeley’s production of Twelfth Night. Music by Jay Africa, musical direction by Linda Giron.

 

12th Night in the Park

12th Night in the Park

About AE

Actors Ensemble of Berkeley is a non-profit organization that has produced plays for over fifty years. The founding philosophy of AE is attributed to the principals taught by UC Berkeley Professor Fred Harris and his wife Mary. They taught that Dramatic Action is created by the actor through his imagination and awareness of the interaction in the ensemble relationship with all the other characters in a play. This became the basis of AE’s creative inspiration and the origin of its name.

About John Hinkel Park

Located at 41 Somerset Ave. between Southampton Ave. and San Diego Rd. in  Northeast Berkeley, John Hinkel Park is filled with magnificent oak trees, grassy picnic areas and BBQ fire pits.

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